We hear a lot about Photoshop being used to make models impossibly thin, or remove every sign of wrinkles from someone’s face. Photoshop is no longer the day-to-day photo adjustment app (that’s Lightroom’s job); but it is an invaluable tool for a certain type of photo related work: masking and compositing.
The image below shows the before and after versions of an image. Clearly the before was shot for graphic design use, as it lacks the foreground element to make it a final image in its own right. However, that’s exactly what’s needed to create the type of commercial image required to advertise this gelato cart business.
This type of image makes it possible to create business cards, brochures, and websites before the cart is actually available. In fact, the “Photoshopping” of the cart into the scene is not the only digital trickery here; the cart does not actually exist, it is a rendering produced prior to building the cart for final okay of paint color and graphics.
If the final image below leaves you hungering for gelato, and you are looking to hire such a cart for a special occasion in the Miami area, contact email@example.com, and inquire about availability. Buon appetito!
Adobe applications are powerful; but the flip side of that power is complexity, and the learning curve needed to master that complexity. In the case of Lightroom one of my ease-of-use complaints has always been that deleting a single image was easy; deleting multiple images was a complex, multiple step process any way that you chose to do it.
In the case of the single image, selecting it, and hitting the delete key brought up a dialog allowing you to simply delete it from the Lightroom library (which I never want to do) or to also delete the underlying file from the drive (which I always want to do). I didn’t object to this choice, as it provided a chance to change your mind about deletion, always a good safety factor. However, the same function was not available with multiple images selected; for that you needed to first flag all the images, then run one or another secondary function to delete the flagged files.
Apparently I was not the only photographer who found this unnecessary (after all, there is already a safety function) and wished that I could delete multiple images of my choice at a time via the delete key. Because: it now works the same way for multiple images as for a single photo. How long has it been this way? I can’t say, as I’ve only just discovered this convenience. But, in case others have not yet stumbled across this luxury, I thought I should post a short article describing it. Happy Deleting, Everyone!
As an expert Photoshop user I am meticulous about my processes and I do not expect to lose work. Today I have lost the same job, not once, but twice, before I figured out what was causing the issue. Let me share this “feature” with you before it costs you hours of labor as well.
In Photoshop CC2015, as well as CS6, the dialog box for converting a file from one colorspace to another has a line at the bottom named “Flatten Image to Preserve Appearance”. No matter what well-meaning goals Adobe had for including this box, and defaulting it to checked, the results of doing a conversion of a multilayer file with this box checked can be catastrophic. All text layers are lost as text, all layers are lost as layers, and the resulting converted file is a flattened, one layer image. Unless you notice this change before saving the file, then you have a major data-loss situation
So, if you value your layers, and all the work they represent, uncheck this box before converting. And from now on keep one eye on the bottom of this window, rather than converting without checking these options, for fear that this option may once again have become active, and ready to lose your layers and your work!